Margarethe von Trotta's 1986 film Rosa Luxemburg exhibits a cinematic portrait of a historically significant female revolutionary.

Margarethe von Trotta's 1986 film Rosa Luxemburg exhibits a cinematic portrait of a historically significant female revolutionary, undivided of the central figures of 20th hundred years socialism. The film attempts to reclaim this figure as historical make subordinate as feminist subject, and as a cinematic make liable for contemporary audiences for whom socialist and feminist history has been not to be found or suppressed and for whom cinema is articulated within mainstream conventions. In its convalescence of Luxemburg as a historical control in its interpretation of her as a feminist subdue and in its cinematic

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